vendredi 8 février 2008

Colors Arabesque Moresque inc,.


Colors Arabesque Moresque inc;.
A color is very important in zellij work for a motif to have an impact, and formalize the complexity of the overall design .

Borders Arabesque ,inc.

Borders Arabesque ,inc. For your home or special project Arabesque inc. designs and produces custom-made borders to fit your needs perfectly.

Floors Arabesque ,inc.


Floors Arabesque ,inc. Our understanding of a wide range of architectural needs has given us the ability to design corresponding floors for each project

columns zelij



Columns Arabesque ,inc For each project create customized columns covered with zellij, to enhance the beauty of the both interiors and exteriors.

Stairs Arabesque inc


Stairs Arabesque inc. is committed to providing unique collection of Moresque style stairs to suit a wide range of projects

Fountains Arabesque inc


Fountains Arabesque inc. provides walls, floors, and fountains with galaxy of geometric hand crafted zellij patterns

Tables Arabesque inc

Tables Arabesque inc. provides walls, floors, and fountains with a galaxy of geometric, hand crafted zellij patterns

Walls Arabesque inc.


Walls Arabesque inc. provides walls, floors, and fountains with a galaxy of geometric, hand crafted zellij patterns

Installation Zellij

Installation
Installation is done by experienced master craftsmen with great skill and patience After we collect the zellij pieces needed for a project, a Maallem or master of zellij draws the design layout directly onto the ground. This process identifies the exact place for each piece of zellij .

each tile is placed upside down, the whole forming an overall design. An additional adjustment is usually required to make sure each piece fits snugly into its correct place

Mosaic Zellij Design Process

A sort of mosaic that uses pieces that are cut very precisely from a monochromatic enameled tiles after beings baked.
Zellij Design Process
Four main processes are essential to zelij production: clay extraction, tattooing, cutting, and finally on site installation
Cly extraction: Special clay from the region of Fez is mixed with water, and then kneaded by both hands and feet for an extensive period of time until the clay becomes flexible and homogeneous in thickness. Then 10 cm squares are cut into a thickness of 1 cm. The squares are placed in the sun until they get dry, and then baked in a special oven for their first phase.

Moresque Furniture Design



Arabesque Moresque offers a new line of furniture based on a traditional Moroccan Andaloucian styles.
We design and create for our clients masterpieces where they can see the design and feel the craftsmen ship.
Producing a royal quality and design furniture is a philosophy that signs our product.

Moroccan Workmanship Management

Arabesque Moresque own several workshops for production of carved and painted wood, tiles, Brass, plaster and furniture, our skilled employees in morocco use their incomparable talent to produce the highest quality of product .
Supervision during all phases of production are carried by Maalem ‘Master’ in the domain of specialty in small teams of ten to fifteen hand craftsmen Arabesque Moresque designers are involved in all process of production. We believe that our priority is client’s satisfaction.

Graved brass

Creating exceptional lightly fixture and door that enhance the decoration of buildings .The use of carved brass in buildings represented in huge chandeliers hanging from the center of mosque’s ceilings or dooms is essential to reflect the cultural or the religious value for places. Arabesque offers Elegant carved brass doors such as the doors for the royal palace of the king of Morocco in Fez as well as chandeliers, sconces, mirrors, and new lines of wood doors inlaid with brass.

Graved stucco plaster

Arabesque Moresque committed to design and hand crafted plaster using the traditional ancient craving methods
The plaster is applied in layers several centimeters thick over the surface to be decorated, then it is carefully smoothed By a Tarrah; Plaster layer master. Then symmetry and measuring points are drawn by Khatat; Drawing master, or Maallem. Which is the most difficult phase that requires the skills of a master craftsmen and usually done by the Maalem. A stencil is then used to produce the motif by a Nakash; carver.
The process of carving requires a great deal of experience, skills, and patience. The carver starts working on a very slow setting of plaster. Before the plaster gets too hard, the carver uses an iron tool to chisel the plaster at specific depths. . When it gets hard, water is applied on plaster to make it easy for carving. This technique of carving can be used in all kind of motif; calligraphy, geometry or floral arabesque
All phases of production and installation of Arabesque carved plaster are done on site including Muquarnas; Honeycomb vault. Every detail of carving and finishing are performed on site. Because of the flexibility of techniques used in carving on plaster, many decorations with difficult constraints are used on uneven surfaces.

Graved and hand painted wood

Arabesque offers two main lines of decoration on wood
Arabesque offers two lines of ornamental styles on wood. Carved, or and painted wood on premium cedar wood. Arabesque decorative wood fits in ceilings, domes, friezes, as well as doors, windows, and Musharabiyyah.
The use of colors in Islamic art and especially in Moresque decoration is vital.
Whether in decorating a house, palace, or hotels, the use of well coordinated colors and Moresque decoration is always finding its place. Because of the beauty and the quality of Moroccan cedar wood, we use it in all our wood decorative styles and furniture. Our master craftsmen use their talent and experience to masterpieces of product applying Moresque decorative styles.

Traditional Moroccan, tiles, zilije

Arabesque Moresque, a one source provider of Moroccan andaloucian Zellij for building . Zellij is a sort of mosaic that uses pieces that are cut very precisely from monochromatic enameled tiles after being baked.

The use of Zellij is popular in walls, fountains, floors and columns.
The use of bright colors and geometric design patterns with interlace or double interlaces can be found only in prestigious buildings such as palaces , hotels, mosques, etc…..! that ornate the fountains in a courtyard of a villa . it's patterns are essentially geometric.

Floral arabesque

Floral Arabesque originated with the Islamic artists who observed nature faithfully, reproducing and interesting it with great accuracy
Abstract geometric forms are found throughout Muslim architecture in a stunning variety of combinations. The application of geometry*, or "tester", in Islamic patterns is a pure art our family has learned since the 8th century. Our ancestors settled in Morocco during the Islamic conquests of that time, and participated in the restoration of the Merinides Madrassa schools The Moresque style of architectural decoration handed down to us is closely related to the study of geometry. Our Naji ancestors developed these styles to a degree of complexity previously unknown, and transformed decorative geometry into a major art form.

Geometry

Geometric decoration is the most vital of invention of Andalusian / Moroccan tradition .
Abstract geometric forms are found throughout Muslim architecture in a stunning variety of combinations. The application of geometry*, or "tester", in Islamic patterns is a pure art our family has learned since the 8th century. Our ancestors settled in Morocco during the Islamic conquests of that time, and participated in the construction of the Merinides Madrassa schools. The Moresque style of architectural decoration handed down to us is closely related to the study of geometry.
Our ancestors developed these styles to a degree of complexity previously unknown, and transformed decorative geometry into a major art form. Only in Islamic countries, and within Morocco and Andalusia in particular, did geometric decoration reach such an extreme level of sophistication
Starting from simple composition, our decoration became more and more complex, adding primary and secondary shapes to enrich the basic design, until it became a foundation for the creation of the very complicated and elegant Zillij style. The geometrical star shape is the soul of this style. The most popular designs of the star shape are those having 8, 10, 12, 16, 24, 32, 48, 70, and 96, points. Single, double, and triple thin or thick lines are usually used to diversify these designs

Calligraphy

Because of the profound reverence given by Muslims to the Qura’an calligraphic verses from the text are used to decorate walls and ceilings in religious building.
Because of Muslims' profound reverence for the Qur'an, the art of calligraphy was developed among them from the earliest times to a very high degree. The use of calligraphy in architecture is an element of decorating that has at all times unified buildings throughout the Islamic world.
There are two main styles of calligraphy used in architecture: cursive styles called Naskhi, which are often seen with floral arabesque decoration; and the more geometric styles, called "Kufi".Calligraphy is closely linked to geometry. It's often referred to as the "geometry" line, implying that the proportions of the letters, including the curved strokes, are all governed by mathematics.
Inscriptions on buildings are generally written in an angular, sober and monumental script. However, the ranges of variation between the cursive styles vary from century to century, and from region to region.

Muquarnas

Muquarnas, or honey comb vault, is a traditional Islamic decoration developed at the beginning of the ninth century.
Muquarnas ("honeycomb vault" or "stalactites") is one of the most essential elements of all classical Islamic architecture. This is a presentation of three-dimensional structures made using concave elements, which are assembled according to complex geometric rules. In Moroccan decoration, we use plaster or wood to produce Muquarnas.
The use of Muquarnas, especially in plaster, reached an extremely high level of sophistication in Andalusia. At the same time, the scale of Muquarnas was relatively reduced. Muquarnas units have, however, been constant in Islamic architecture since the 9th century.
Muquarnas spread throughout the Islamic world in the late 11th century. It has been and is used in corners and domed rooms, and to decorate corbel arches, capitals, archways, cornices, and even walls, as simple, eye-level friezes.

History Of arabesque



Arabesque, Inc.'s artistic designs are based on the Islamic architecture of the Umayyad Caliphate, and that of its Abbasid successors. In North Africa, the architecture of the early Fatimid Dynasty, as well as that of the Almoravid Dynasty, falls under the term "arabesque". The development of classical and neoclassical Islamic architecture coincides roughly with the spread of ornamental sculpting on plaster and wood.
Beginning in the late thirteenth century there was a reduction in the scale of ornamentation in relation to surface, and to the size of the whole building structure. This is apparent in the architecture of the Nasrids of Granada, and of the Merinides in Morocco. By 711, the North African governors of the Umayyad caliphs had brought the whole of the Maghreb Desert as far as the Atlantic under Islamic rule, and the building styles of the time reflect this.
In April of 711, the governor of North Africa, Mousa Ibn Nusair, entrusted his subordinate, general Tariq Ibn Ziyad, with the conquest of Spain. Tariq then proceeded to capture Malaga, Granada, and Cordoba. On July 19 of 711, at the Rio Barvate, he defeated the Christian army led by Roderick.
The Muslim government that conquered Spain started to build the prestigious mosques, palaces and buildings that reflected their civilization, thus ensuring a continuity of the Islamic presence in Spain. The great mosque of Cordoba, one of the most magnificent mosques in Spain, was commissioned in 785 by Emir Abd Al Rahman. Other buildings were constructed later, such as the Al Hambra palace, the Comares Palace, and the Court of the Lion.
During the Alaoui Dynasty, and especially under the reign of the late king of Morocco Hassan II, Morocco reached its peak in the production of Moroccan/Andalucian architectural decoration. In each Moroccan city, the king build mosques, museums, Qur’anic schools, and universities in the very prestigious Moroccan style of architectural decoration and design. Even his royal palace was constructed in this striking style. The Hassan II Mosque in Casablanca is has been called one of the most beautiful mosques in the world.

Message of CEO




Welcome to Arabesque, Inc; the world leader in Moroccan architectural decoration and design. We are working to achieve a revitalization of Moresque art and architecture throughout the Middle East, Asia, North Africa, and the Americas.
We believe that it is our duty to protect our artistic heritage by constructing, decorating, and refurbishing the most prestigious places that reflect the treasure and the beauty of our Moroccan/Andalusian architectural design. We specialize in Moresque art decoration; in particularly, ornamental handcrafted plaster, wood, tiles, brass, and Moresque-style furniture.For more than 750 years, The Naji family has been at the forefront of Moresque decoration. Throughout the world, Arabesque Moresque is proud to be leading a renaissance of of this 800-year-old art throughout the modern world. Our craftsman have traditionally designed, created, and produced the highest quality of this art. Our approach to service is based on a fundamental belief that our client’s contribution to the project process is essential to customer satisfaction with the final product.

Firm Arabesque Moresque

The international firm Arabesque specializes in traditional Moroccan styles of architecture and design. Arabesque is owned and operated by the Naji family, who has been involved in this craft for more than 750 years and has been recognized worldwide for their superior workmanship.
1928. Arabesque established by Maalem (Master artisan
Mhammed Tlemsani Aissawi; the grandfather of Mhammed Naji, in Fez Morocco.
1960. Maalem Abdelkhader Telmssani takes over Arabesque and becomes CEO. He receives many international and national awards for his accomplishments. His staff includes four of his brothers, two nephews, four of his children and approximately twenty other employees. The refurbishment ornamentation of the royal palace In Fez is the first large accomplishment for Mr. A. Tlemsani and his team.
1975. Maalem Mhammed Naji becomes the President of Arabesque, Inc., leading 50 skilled craftsmen and ornamental designers in projects that introduce this ancient architecture to the rest of the world.
1992. Mohammed Naji Jr. joins the family business after completing his studies in Morocco, France, and the United Kingdom as an Ornamental Master Designer. Mr. Mohammed Naji developed and perfected his skills at Arabesque, Inc. workshops, where he has worked for fourteen years under his father’s supervision
1993. Mr. Mohammed Naji becomes a leading force in creating and developing new ornamental designs. The carved stucco plaster work for the restoration of the Old Religious Schools Foundouk Nejjereen and Madrassa Bouanania in fez are designed and produced under his supervision.
1994. Mr. Naji Mohammed Jr. is appointed to be the Senior Vice President of Strategic Design.
1996. Hicham Naji joins Arabesque, Inc. the Director of Business Development, after five years of business experience with his father, Mhammed Naji.
1999. Adil Mhammed Naji is elected Vice President of Operations after his graduation from an American university (UDC), where his studies specialized in business management and administration. Arabesque, Inc. is then incorporated into offices in the USA, Morocco, and the Kingdom of Saudi Arabia.
2000. Dr. Slaoui Iz El Arab, co-owner of SOCOGESE, one of the fastest growing financial and auditing firms in Morocco, joins Arabesque, Inc. to serve as Chief Financial Officer at Arabesque, Inc. / Moresque, Sarl. Headquarters in Morocco
2001. Arabesque, Inc. establishes the Arabesque Research Center (ARC) to incorporate and develop the latest design information and technology with Moroccan architectural decoration, to facilitate the continuity of the Moroccan/Andalusian tradition of artistic decoration

Welcome to arabesque Moresque

The international firm Arabesque Specializes in traditional Moroccan styles of interiors and furnishings. Arabesque is owned and operated by the Naji Family, who has been involved in this craft for mores than 750 years. The Naji's have been recognized worldwide for their superior workmanship

Core values

We at arabesque Moresque work on:
In corporation’s talent, experience, research, design, planning, and handcrafting to produce unique masterpieces with the highest quality
Designing new building and projects based on the continuity of the treasure of the Moroccan andaloucian traditional art of decoration.
Building a locality between arabesque Moresque and clients Practicing with honesty, sencerety and integrity

Mission Profil Firm


To preserve, protect, and promote Moroccan Andaloucian Architectural heritage by contracting decorating and refurbishing the most prestigious places that reflect the beauty of Moresque art decoration.

Firm profil Vision

Arabesque Moresque vision is to become the world leader in Hispano Moresque architectural design, Decoration ornamental installation and Moroccan Andaloucian furniture production.